Electronic Textual Editing


Contents

Prefatory material

  1. Foreword: G. Thomas Tanselle (Columbia University & John Simon Guggenheim Memorial Foundation)
  2. Editors' introduction: Lou Burnard (Oxford University & Text Encoding Initiative); Katherine O'Brien O'Keeffe (Notre Dame University & Committee on Scholarly Editions ; John Unsworth (University of Illinois at Urbana-Champaign & Committee on Scholarly Editions & Text Encoding Initiative).

Guidelines for Editors of Scholarly Editions

  1. Guidelines for Editors of Scholarly Editions: From the Modern Language Association's Committee on Scholarly Editions
  2. Guiding Questions for Vettors of Print and Electronic Editions : Committee on Scholarly Editions, Modern Language Association
  3. Annotated Bibliography: Key Works in the Theory of Textual Editing: Dirk Van Hulle (University of Antwerp, Belgium)

Principles

  1. Principles: Burnard, O'Keeffe, Unsworth

Sources and Orientations

  1. Critical Editing in a Digital Horizon: Dino Buzzetti (Università di Bologna) and Jerome McGann (University of Virginia)
  2. The Canterbury Tales and other Medieval Texts: Peter Robinson, De Montfort University
  3. Documentary Editing: Bob Rosenberg (Edison Papers Project, Rutgers University)
  4. The Poem and the Network: Editing Poetry Electronically: Neil Fraistat (University of Maryland) and Steven Jones (Loyola University, Chicago) (Romantic Circles)
  5. Drama Case Study: The Cambridge Edition of the Works of Ben Jonson: David Gants (University of New Brunswick)
  6. The Women Writers Project: A Digital Anthology: Julia Flanders (Women Writers Project, Brown University)
  7. Authorial Translation: The Case of Samuel Beckett's Stirrings Still / Soubresauts: Dirk Van Hulle, University of Antwerp, Belgium
  8. Prose Fiction and Modern Manuscripts: Limitations and Possibilities of Text-Encoding for Electronic Editions: Edward Vanhoutte (Centrum voor Teksteditie en Bronnenstudie(Centre for Scholarly Editing and Document Studies): Royal Academy of Dutch Language and Literature, Belgium)
  9. Philosophy Case Study: Claus Huitfeldt, Department of Philosophy, University of Bergen
  10. Electronic religious texts: the Gospel of John: D.C. Parker (Centre for the Editing of Texts in Religion, University of Birmingham, UK)
  11. Multimedia Body Plans: A Self-Assessment: Morris Eaves (University of Rochester)
  12. Epigraphy: Anne Mahoney, Perseus Project & Stoa Consortium Tufts University

Practices and Procedures

  1. Effective Methods of Producing Machine-Readable Text from Manuscript and Print Sources: Eileen Gifford Fenton (JSTOR) and Hoyt N. Duggan (University of Virginia)
  2. Levels of transcription: M. J. Driscoll (University of Copenhagen)
  3. Digital Facsimiles in Editing: Kevin Kiernan (Electronic Beowulf, University of Kentucky)
  4. Authenticating electronic editions: Phill Berrie, Paul Eggert, Chris Tiffin, and Graham Barwell (Australian Scholarly Editions Centre, Australian Defence Force Academy, University of New South Wales; University of Queensland; University of Woollongong)
  5. Document Management and File Naming: Greg Crane (Perseus Project, Tufts University)
  6. Writing Systems and Character Representation: Christian Wittern (Kyoto University)
  7. How and Why to Formalize your Markup: Patrick Durusau (Society of Biblical Literature and Emory University)
  8. Storage, Retrieval, and Rendering: Sebastian Rahtz (Research Technologies Service, Oxford University)
  9. When not to use TEI: John Lavagnino (King's College, London)
  10. Moving a Print-Based Editorial Project into Electronic Form: Hans-Walter Gabler (Institut für Englische Philologie, Ludwig-Maximilians-Universität München)
  11. Rights and Permissions in an Electronic Edition: Mary Case (Office of Scholarly Communication, Association of Research Libraries) and David Green (National Initiative of Networked Cultural Heritage)
  12. Collection and Preservation of an Electronic Edition: Marilyn Deegan (King's College London)

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